"Beyond Eden's Shores",
A Deranged Fan's Work-in-Progress

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Part 3: The Doodles

When I say that this is a "work-in-progress", I mean that I haven't actually started work on a finished project. BES, in its current form, is an unorganized mess of chicken-scratch writings (dialogues, plot notes, and random other things) and doodles up the wazoo. I hope to, one day, organize this mess enough to actually make something out of it -- though precisely what I'm not entirely sure. I'm not exactly a comic book or manga (take your pick) artist. That's not going to say that I'm not capable of executing the story-told-in-chronological-panels art form, though I don't feel like I really have an innate knack for it. That, and the sheer scale of drawing I would have to do to tell a story such as "BES" is mindboggling. I'm only one person, you know. Of course, people have pulled off gigantic graphical epics on their own, but they're also extraordinarily talented. ::P [I'm said to be talented, at least in some way or another, though I'm not a bloody prodigy or genius or anything! If people end up saying that about me once I'm dead, at least I won't be around to tell them that they're wrong. ;;P]

But, erm, anyway... Format! Assuming I ever get started on this thing, I will probably, in my "lazy" way, utilize a blatantly eclectic approach. That is, the format will be whatever is most "convenient" for a particular segment of the story. So some parts of it might be in the "sequential panel" (i.e., comic book, or, ahem, manga) format. Some parts might be straight text -- the sort of overly verbose stuff I put all over my webpage, except that it's a story and all -- with illustrations for, er, whatever I feel like illustrating. Some parts might end up using a script format -- really long dialogues and whatnot. BES's format would flip-flop around and be generally confusing and, well, eclectic.

Even as far as the panel comic portions go, I doubt I'd utilize one consistent style for the whole thing. After all, I'm not publishing this (not in the foreseeable future, anyway), so I don't have to worry about publishing concerns, which is the reason why most comics look the way they do. In the case of manga, anyway, it's ink artwork filled in with various halftone patterns (I've heard the stuff comes printed on acetate and the manga artist has little slaves, erm, assistants that do the dirty work of cutting it out and affixing it to the original artwork or something, but I could be wrong). Why? Because it's easy to reproduce and cheap to print. I'm not particularly drawn to the ink medium myself, though -- I might use it a little, though odds are I'll render the artwork for the panels any which way I desire. After being exposed to Richard Corben's Neverland [I can't say I like his particular approach to human proportion, though I hot-damn respect him as an artist], the idea of using the need to execute large numbers of images [for the individual panels] as an excuse to gratuitously explore different artistic styles is especially appealing. Well, why not? Since I'm wasting so much of my time on a project I can't hope to ever make any money on (unless I get GAINAX's permission and stuff), I might as well try to expand my artistic skillz while I'm at it. That way, at least the experience of doing the artwork for BES will be beneficent.

The plot for BES is pretty well-determined -- the backbone of the story is set, though some parts are more filled in than others. I have a bit of work ahead of me filling in some of the gaps, both plot-wise and conceptually. There are unthinkable numbers of angels that need to be designed. (This isn't like designing human characters, mind you! There is no standard template to work from!! Having to come up with designs when there are an infinite number of possibilities is actually considerably more difficult than it sounds, at least for me.) And then, ugh, there's the setting... I'm one of those artists who has always cared more about her subject than whatever happens to be in the background, not to mention I've always had a focus on singular, organic forms (rather than landscapes or buildings). But BES is a story where you really can't ignore the setting, because Eden makes the story, in a way. If I can't at least deliver a half-arsed impression of what Eden is supposed to look like, well, BES is screwed. Which means that, before I can start this thing, I have a lot of work to do in a few certain aforementioned artistic areas.

But, as long as my interest in NGE endures and I have at least one other person who's interested in seeing BES come to light, I'll keep on plugging away at it. I'd hate to let all of my work so far go to waste.

Hmm, well, speaking of work... Yes, as I mentioned earlier, there are doodles. Lots of them. I have this very bad habit nowadays of only doing rough sketches unless I have some reason to execute something more refined, but that's a rather complicated issue, so forget I mentioned it. I've doodled lots for BES, but, predictably, most of them suck. But even sucky doodles have the potential to be useful (as far as the long, arduous process of conceptualization goes). Or doodles that aren't quite as sucky might end up being good for nothing. Wait... what am I getting at? Not sure, but, in either case, some of my doodles I find particularly "interesting", and these are the ones that I'm putting online here for whoever the he11 actually wants to look at them. They're not necessarily a good indication of what a finished BES would look like -- they're doodles, for crying out loud! or, at the very best, rough sketches! -- but, erm, yeah, they're, uh, interesting. (Hmm, maybe it's time for me to stop writing... ;;P)



Back before I decided that my doujinshi ought to have at least some credibility to it -- and back when it was more deserving of a farcical title like "Holy Shito!" -- the opening scene incorporated all of the Apostles and Evas (well, most of them, anyway) leaving the "Eden premiere" of "End of Evangelion". (Yeah, as if Eden has cinemas...) It seemed I was really determined to actually draw this for a time, and this drawing was the pinnacle of my efforts. Never really put any effort into a background, but I drew all of the angels that needed to be in the picture separately, scanned them all in, and composited them to my liking with PhotoShop. Most of it is dodgy (::cough::Arael!::cough::), and my ideas for Bardiel, Ireul, and Tabris are outdated, but at least SOME of the characters are drawn well. And Barb and Naoko are doing the Team Rocket thing! (Well.. Naoko is, anyway.)

 

This is part of a little "storyboard" -- a term I, enigmatically, like to use to refer to very doodly panel-comic-type-things, so don't get confused -- I made Fall 2002 in which Zeruel and his buddy Ingethel have a little conversation about death. For the two of them, it's very deep. I went over all of my chicken-scratch handwriting with Trebuchet MS so that anyone who wants to read it actually can. Unfortunately, I decided to cut it off right before Ingethel pisses Zeruel off, which is at least mildly humorous, but we can do without at the moment.

 

Hmm, what Apostle might this be? Bioluminescent, vaguely birdlike, and holding a pair of spectacles... Might it be... Arael? She's an Apostle I can't seem to be able to draw no matter how hard I try -- it's the wings, mostly. I can't get them to look right! Obviously, though, you can't see much aside from her head in this picture, which is the precise reason why this one is online and the other ones aren't. ::p The beak is probably too long (though, with the available images of her, it's hard to be sure), and the eyes are, obviously, my own addition (though for all we know she might actually have them). And the spectacles... Erm, just a lil' visual gag. ::p

 

 

"The sake just ain't the same, Barb..." Go on, give 'im a good spin(LEFT) Naoko with a drink, no doubt at her favorite Edenic "pub" having extended, vaguely alcohol-influenced chitchat with Barbara. This is kind of old -- and I'd never give Nao-chan a chin that pointy nowadays -- but it captures the mood rather well. (RIGHT) A little ballpoint doodle of the "barkeep", whose name, Alkhoel, is a blatantly bad pun. Oh well.

 

 

"Just look at her!  Flat-chested chicks don't belong at NERV!  I say if we eliminate anyone, it should be Dr. Caraway!!"A concept for Barb's Lilim form [as she would appear in flashbacks of her NERV days, anyway], back before I conceded that I wouldn't even bother trying to draw the Lilim "anime-like". So, well, this could use a revision, but it gives you a general idea of how I envision her, at least. [Were this a more realistic rendering, I might have attempted to portray her mixed Caucasian/Asian lineage. Wonder of wonders, though, she doesn't have a trace of Japanese blood in her. ;;p] Barb's supposed to be the type who could be in her thirties and come off as a college kid, not to mention one who could bring insanity to even the most uptight of workplaces -- she was one of the top personalities at NERV's First Branch and she went around in, say what?, overalls and sneakers!? Well, at least some of the time, so long as the front pocket of her overalls said "UN" on them. Perhaps it was such an insolent dress code that caused Barb to come out as the top test subject candidate for EVA-03's Contact Experiment....

 

Nice little sketch of Yui pushing herself to her feet after crashing into Arael's abode. The debris isn't all too convincingly rendered, but, eh, no biggy. It's a bloody doodle, after all.

 

 

 

 

 

 

"Give me your tongue." Ah, kissing Evas. Anyone actually reading this might be disturbed to know that I've put a considerable amount of thought into the matter (though hopefully if you've made it this far, it will take much more than that to disturb you). The matter demands at least some thought, methinks. Barb and Naoko love each other and, since they were both Lilim once, they're no doubt going to attempt to enjoy one another in typically Lilim ways. That includes smooching. Obviously, though, the Evas have a facial structure a bit different from our own -- the overall formation is very human, but the Evas lack muscular lips, cheeks, etc. -- so kissing won't be quite the same. The idea is the same, but the mechanics are different. (For your sake, though, I won't get into it.) Rather interesting stuff to ponder for fun, but incredibly difficult to draw. Doesn't stop me from trying, obviously.

 

And these two, again, doing what they do best -- makin' sweet Eva love. ::p Being an Eva has apparently put Barb more in touch with her more animalian side so, along with "making out" with Naoko, she'll also lick her beloved's face like a dog. Or something like that... At the same time, there's some hot core-on-core action going on, to which Nao-chan can only say, "U~". [I think that's Japanese for "Uh--!" or something...] I'm bizarre, I know.

 

More "storyboards"! If you did your reading, this scene should seem at least vaguely familiar. There's more to the storyboard for this sequence than what I've put here (left thumbnail for the first page, right for the second), but, since the files are so big, I just picked my favorite part. It doesn't spoil anything plot-wise, really -- it just shows Sachiel getting his arse kicked yet again. Fun. I don't think I made Kyoko quite callous enough, though.

 

"Mein Gott!!  This stuff smells like Hundscheisse!""Diana, it's rude to stare like that..."(LEFT) Nice little drawing of Kyoko immediately after emerging from the Sea of Dirac, the comatose EVA-04 on her back. Obviously, though, quite old -- back then, I was drawing the E.V.A. uniforms as being virtually identical (superficially, anyway) to the Evas' kousokugu! Ah, progress is a wonderful thing... (RIGHT) Yui removing the "mask" of EVA-04 (Adenah) and exposing her face for the first time. Not really sure if the EVA-03/04 helmet type disassembles like this, but I can always worry about that later. [And then there's the question -- would EVA-04 have even been fully kousokugu'd at the time of the S^2 kikan's "installation"? Come to think of it... probably not...]

 

 

What on Earth are those Lilim doing here? Ah, but two victims of that weird "Shift" phenomenon -- the Apostles Sachiel and Zeruel, to be precise, and hopefully you won't need me to tell you which one is which. ::P For a while, I was contemplating the thought of drawing the Lilim in BES -- whenever the puny creatures do happen to make an appearance -- in an anime style at least vaguely resembling Yoshiyuki Sadamoto's. You know, since the Lilim appearances of Yui, Kyoko, and Naoko are already established (well, okay, Kyoko might be stretching it a bit...). So, at first, I designed the Lilim forms of, say, Barb, Zeruel, Sachiel, etc., to be at least visually compatible with Sadamoto-ish characters. Eventually, though, I decided that I liked the idea of using my own quasi-realistic (and, er, blatantly asymmetrical? ::p) style of drawing hyoo-manz better, so everyone is in for an overhaul.* As a starting point, I attempted to revise my ideas for what Zer and Sachi look like as Lilim -- with mixed results. Zeruel looks like a thoroughly disgruntled jock to me, though this is probably appropriate... [There's actually a reason I drew him with a shaved head, though it's not worth getting into here.] He's actually an easier Apostle to Lilim-ize than most, given the fact that much of the structure of his face has a human homologue (Zer has cheek bones, a chin, a "nose", etc.). Sachiel, on the other hand... You could only really see a resemblance if I showed his whole body; my idea for his face derives almost entirely from how I view him as a character. [I mean, really -- a beaked disc with two holes in it, how are you supposed to turn that into a human face?] Granted, he looks a little OOC here -- Sachiel's supposed to have this adorably clueless expression at least 90% of the time. ;;> I guess I caught him at one of his more "confident" moments.

* And I have the arduous task of making Yui, Naoko, and Kyoko look considerably more like real people than they do in the anime. Naoko will probably be easy, Kyoko is doable, but Yui? I haven't been able to find any pictures of Japanese chicks that have that certain indescribable "Yui" essence to them. And, if she's to still have green eyes as a Lilim -- a must, in my opinion -- we're going to have to introduce some foreign blood. Yui's a hafu? Who knew?!

 

Ooo, sekushii Eva legs... Rather old and low-end, but something about it rather amuses me... Maybe it's the fact that I haven't actually seen "The Graduate". >>D

 

 

 

 

 

"Zeruel... You're BLUSHING!"One of many odd sketches I've done of Yui lying on top of Zeruel and giving her daisuki na shito a happy little "love nip". Well, they can't exactly kiss, can they? Zeruel's face seems to be cartilaginous in composure and capable of at least the most minimal movement (episode 19, note his "expression" right before Yui smashes his face in), though by and by it doesn't seem capable of doing much. Since he and Yui are beyond predator/prey relations by this point (and the Apostle no longer has to fear Yui brutally chomping down on his face), Zeruel just might enjoy having his face nibbled on. He definitely seems to be enjoying himself here, at any rate... Call it "bestiality" if you want (because, technically, it doesn't come close) -- the thing that disturbs me the most about these drawings is the fact that Yui always ends up way too small. Chikushou....

 

Yay! Just a random Azza doodle from "Environmental Concerns" notes that looks kind of cool.

 

 

 

 

You want BOUSOU? You got it!Kyoko going bousou, complete with bulging eyes, nasty teeth, a nosebleed, gills (guess I was still giving that concept a chance at this point), and a distractingly scrawny neck. The particular scene that I drew this for can't be mentioned (spoilers, and all...), though it is worth noting that Kyoko doesn't have her E.V.A. uniform on. What sort of trouble could she be getting into on her off hours...?

 

From 8/30/02, this is a strikingly rare example of me actually trying to draw nicely for a change. Not too shabby for being about a year old, though I guess the fact that I technically ripped the pose and shading off a photograph of ... some kid probably helped. Of course, if I did this today I would've done some things differently, but, overall, very nice. Just Zukori-chan -- looking kind of scary, for some reason -- with her little Sachiel doll. Yes, she actually has one. Where did it come from? Truly, one of BES's greatest mysteries... ;;P

 

"No... My ultimate intensions for you are FAR worse than death! MWA HA HAAA!" Just some Azazel-spouting-stuff-that-won't-make-any-sense-to-anyone-but-me. It's a decent little doodle, plus, assuming you can read my handwriting at all, that's exactly the sort of sort of strange stuff you can count on Azazel to say in BES (even though this particular bit of dialogue will probably be altered a lot should I end up using it at all).

 

 

 

nyao~ Hmm, so what's a cat doing here? Well, strictly speaking, she's not a cat -- though precisely what, I haven't decided. She's not an angel, if that helps matters at all. Keseph (props to Morgan-kun for inadvertantly naming her ;;>) is a relatively minor character who shows up later on in the story, but she does have an important part to play. This is a very preliminary sketch, so she'll probably get a few makeovers whenever inspiration strikes.

 

 

 

Zukori, looking somewhat older than she's bound to appear for most of BES, though she's obviously still a child. This is the first time I tried depicting her with a third eye -- a vestigial nod to her mother's centralized one -- and I think, aesthetically, it works pretty well. (If it were the same size as her other eyes, though, that would be a different story.) Just for fun, I colored in her eyes -- the only parts of her body that really have anything in the way of pigment -- using the same color scheme I plan on employing with Naoko. Note the non-external core, navel, and dodgily assymetrical head. ;;p

 

And some from the original version of the page, which I haven't had a chance to go through. Eventually, I'll either revise the commentary to reflect the current state of things or I'll just take them offline altogether.

"Oh, Yui-sama, you crack me up!"

Thankfully, it doesn't last, but Sachi's current characterization calls for a bizarre pseudo-masochistic phase. Not like you can tell, but he's supposed to be shackled and chained to the wall of some imaginary angel-slave-dungeon of his sick little fantasy (a hallucination inspired by some dRuGz poor Sachiel decided to expose himself to). Yeah, it's wrong, I know... Be glad the scanned doodles of Dominatrix Yui wielding the Core-Cracking Mallet of Soul-rending Rapture™ are safely restricted to my hard drive... for now. <<MWAHAHAHAHAAAAH!>>


"I'd say it's not a drink ye be needin', laddie..."
The weird thing that looks like a cross between Matarael and an octopus is the EVA and Apostles' favorite barkeep (he/she/it/whatever had some really lame name... like Alkhoel or ... something). There is, of course, more to this doodley storyboard, but it's all you really need to see, for now. When Zer starts going to bars instead of gyms, he's at the brink of disaster. Zer's kind of like Yui (ooo! a similarity!!) in that he's all about keeping his body "clean" -- you'll never see Yui smoking, or drinking, or shooting up, or nothing. Now, ordinarily, Zer wouldn't be putting such pOiSoNs into his big huggable meat-slab-ish self, but, at this point in the story, he's not having a very good time at all, and Sachi's recurring self-justification "DUDE, we're, like, angels, it doesn't really matter" has finally left its mark. So this'll be Zer's first and only drink, but he's well on the road for some substance-abusing brotherly bonding with poor lil' Sachi.


"HIMMEL recommends that you see a chiropractor -- immediately."

Ultra-krippy doodle of Yui before HIMMEL, the council of archangels in Heaven. Think Ritsuko standing naked in front of SEELE in e24npc (for "new production cut" -- I explain it here), except instead of a naked Ritsuko we have a naked Yui-sama, instead of "SEELE" the monoliths read "HIMMEL", and instead being complete darkness the backdrop is an unearthly ethereal (I love that word, "ethereal") setting (cloud-like and all, you know, the stereotypical idea of what "Heaven" is supposed to look like). From the scene where HIMMEL cryptically tells Yui that she is to found and be leader of the E.V.A. "organization"/sorority.


"Hello? Hello?  Oops, forgot, my ear's not THERE..."I think this drawing has some rather nice qualities, though to this date I'm unsure if the standard Lilim method of using a phone would actually work in Sachiel's case. It only got confusing once it occured to me that Sachiel's 'nostrils' and other breathing apparati (supposed to be plural of "apparatus") are located on his hips. So, given the case in "HS!" that Sachiel is capable of speech (oh, it's not such a stretch... he did make some noises in the anime, after all), if he breaths with his lower body I somehow came to reason that his faculties for speech would also be located on his lower body. (Definitely would be confusing for the EVAs at first, since they're used to someone's voice being emitted from the general "head" area.) Well, assuming my reasoning is valid, Sachi would have to hold the receiver on his pelvis or something, but there still remains the question of where Sachi's auditory perceptors are located. However, that question doesn't bother me nearly as much as the matter of how the bloody banana Sachiel eats...


"I do WHAT when I get drunk??"From an attempt to draw the flashback scene where it is finally revealed exactly what happened between Zeruel and Israfel to mess poor Zer up so badly (or at least do its fair share). Some of the panels gave me a bit of trouble, and in my frustration/boredom I inked and colored in others that seemed to be cooperating a bit more, including this one here. I now know that Israfel's hand could not do what I've drawn it doing (the middle finger/claw should be but an extension of the arm, without any "jointage" whatsoever), but otherwise "he" looks pretty decent... And in case you're wondering, that blue stuff in the bottle Sraf's holding (I actually had to add the blue digitally, since in the unfinished original I hadn't put anything in the bottle, even though it's supposed to be full -- things in the story don't start going terribly wrong until the bottle is empty, see...) is, well, something that doesn't sit very well with Israfel, though Zeruel is ultimately the one who pays for it. Well, you'll see, eventually...


Wait a second... They're technically "sisters", aren't they?  So what they do would only be legal in... nevermind. ::}In case you can't make it out -- might be pretty hard to do, given figure/gesture drawing abilities that, 90% of the time, strike me as being fairly abysmal -- that's supposed to be Barb and Naoko doing one of their cute (and completely non-objectionable) huggy things. In case it doesn't elicit the "Awwww..." response from you, here I go: "Awwwwwww...." This is from no scene in particular, as the two of 'em are notorious for being perpetually unable to keep their hands off one another (except for during work hours, of course), but they're allowed, because they're about as in love with one another as gigantic maternal beasties can possibly get. I actually draw a sad amount of pictures involving these two (they're just too bizarrely cute together for me to resist), but it ... saddens me to say I don't think putting many of them online at this point would be a very good idea... (Can we say "girl on girl"? ::cough-cough:: #_#:)

Where's Shredder when you need him...Well, I needed to come up with something for Bardiel's "true form", and this is, basically, it. A bit of a shameless TMNT reference, but hopefully it's forgivable -- modelling Bard' vaguely after ol' Krang worked just too well for me to resist. Bardi's design here is tentative -- and flawed in that I made him translucent, which would not be the case considering he seems to be composed of white goop, at least some of the time -- Bard' did seem to enter Barb in the form of electricity, if you look closely after they babble about cumulonimbus clouds in episode 18. But I digress... This is supposed to be from the scene where Naoko rampages into Armisael's "flat" after she discovers the glowworm is responsible for the little critter growing inside her, and Barb, naturally, follows to keep her, erm, girlfriend out of too much trouble, and while they're there Barb happens to pick up a bucket for no apparent reason, out of which two blobby white tentacles shoot out at her; she yelps and throws the bucket against the wall, and once it crashes to the floor who but Bardiel should crawl out... Barbara is, to say the least, not very happy to see him: "Bard- Bardiel?? You're -- Bardiel??" "Indeed I am, my sweets... Come a little closer, and you can be 'Bardiel', too..." [Yeah, for whatever reason, Armi and Bardi share an apartment, mostly because by my reasoning they have some vague similarities, or something.]

"Think we'll need to do a Caesarian?"
And at about the same time Yui and Kyoko are rescuing Diana from that giant glorified sensory deprivation tank known as the Sea of Dirac, Barb is at the side of an increasingly agitated -- and, ahem, convex -- Naoko, trying to provide some reassurance as the cycloptic EVA's pre-labor babblings get more and more incoherent. This sketch is pretty dodgy, but that's nothing unusual for me. Barb only looks like she sort of has armor on because trying to envision the segmented body plates is one of the only tried-and-true ways I can manage to get the proportions of the EVA torso right. ::shrug::

>durp<
Just a random Emilie-being-sort-of-bored. Facial expressions will be tricky with Em and her lot, being as they lack those wonderful "gates to the soul", that is, eyes. Everything will have to be expressed through the lips, I'm guessing -- well, in the end, it'll be a combination of that and her general body language. One nice thing about Em here is that her mouth is, for once, completely closed (it becomes easier for her to do that without chunky metal plating covering her teeth) and she actually looks relatively innocuous (not like she's fooling anyone -- she had bits of Kyoko in her belly when she moaningly skewered herself and she knows it). Nothing especially great about this sketch, but for whatever reason I rather fancy the line of the mouth (it actually seems to show the interaction with her hand, know what I mean?) and, crazy as it may sound, that's a fine-looking otic slit she's got there.


You know what they say about the size of an angel's core...
Gad-zOOks, never thought Yui's dirty side would ever make its way out... What a beast! What
an aNiMaL!! What sort of horrors does she have in store for poor Toilet Paper Boy?!? Does anyone really want to know??


The delicate caress of toilet paper...
Awwwww.... <<insides turn to sentimental mush>> It's probably hard to tell, but Zeruel seems to finally have overcome his fear of the Green-Eyed Monster. Upon this breakthru, it actually becomes possible that something sort of resembling "love" (oh dear...) can emerge from this most twisted of couplings (one self-appointed "Canuck" I've chatted with referred to it as ... "slash"). Well, on Zer's side, anyway -- strangely, Yui doesn't seem to be playing the romantic part here quite as well as Zer, who's evidently too caught up in bizarre sensations of sappy sentiment to notice the dangerous nuclear proximity... Then again, how the he11 are they supposed to just hug without some rather, ah, distracting, errr, core friction...? [FYI, in 'angel slang' it's better known as ... "nuking".] That's, of course, assuming I haven't screwed up on the scale here -- Yui may be just a tad too small, but it's fairly evident, in this screenshot at least, that Zer is, indeed, rather more voluminous than our heroine.


"Sachiel... Hold me..." "I'm trying, I'm trying...!  Dang, the times when I wish I had wrists..."

Oh no, not more unidentifiable masses of jumbled lines! But, if you can figure out what's going on, this is a pretty good doodle... Unexpectedly, Sachiel finds himself in new emotional territory -- out of the blue (hmm... blue... hmm...), he's got the shaking shoulders of a rather distraught EVA between his claws and he's under a lot of pressure to think of something even remotely comforting to say to her. This is yet another step in Sachiel's maturation process, which goes on throughout "HS!": He starts out as the confused, perverted, drugged-out-teen sort and slowly evolves into -- well, we'll see. ::> And who might Sachiel's distraught friend be? Let's see if you can figure it out... --August 1, 2002

 


This sketch gets a bit ahead of things, but I thought it looked kind of cool. I'll give a vague explanation... Much further on in HS's story, in a slight parallel of what happens to Asuka later in the anime, Kyoko, essentially, "runs away". She tries to escape from everything and wallow in the darkness of solitude... the brooding abyss of her soul. I have a lot to learn about architecture before I can hope to render the city-like settings of Eden, so Kyoko's surroudings here mostly represent an idea. Her hiding place should be dark and run-down -- a reflection of how she feels inside -- with one source of light, a window, a gate to the world she has denied surely as the bars going across it obscure her view. Maybe there's an old bathtub full of nasty water around for Kyoko to sit in, too. [Er, that's probably a joke...] --August 1, 2002.

"Shinu no wa iya.." Wait, that's not right...And going ahead of myself even MORE (I just couldn't resist)... Kyoko, once again, but this time in her Lilim form (as the head of hair might indicate)! Yet this sketch is not for either of the Shifts, but for Kyoko's own drawn-out shinshou fuukei [the term used to describe most of the scenes in e25 and e26 -- literally means "mental image scene"], for which I have brainstormed heavily and am really looking forward to eventually drawing (sad how far into HS! this finally happens, though). Kyoko's pose here was meant, I believe, to echo one of Asuka's in e22npc. But who belongs to that mysterious hand stretching towards her from out of nowhere? Who, indeed? ::}
--August 1, 2002

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Neon Genesis Evangelion, EVA, Zerogouki~Juusangouki, et al., are the copyright © of Studio GAINAX/Project Eva and intellectual property of Hideaki ANNO. All rights reserved.
[I am but a pitiful fan who utterly respects that ownership.




"Beyond Eden's Shores" Doodles page created April 07 2002. Last modified August 07 2003.
All original content © 1996-2003 Rachel K. Clark.
"Evangelion" copyright © GAINAX /Project Eva. All Rights Reserved.

rachel.k.clark@comcast.net

And should you choose to e-mail me, you may call me "Rachel", "Rachel Clark", "Reichu", "Psychotic Freak Person", anything, just call me something! E-mails that are obviously for me that don't actually address me really bother me, strange as it may sound. It's a small request to ask, methinks. But please do e-mail me, long as you have something to say besides
"nice page yor drawings R realy kewl".